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1995, Erasmus is Late, Book Works, London.
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1995, Ibuka!, Kunstlerhaus Stuttgart.
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1997, McNamara Papers, Le Consortium, Dijon & Kunstverein in Hamburg.
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1998, Discussion Island/Big Conference Centre, Kunstverein Ludwigsburg, Orchard Gallery, Derry.
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1998, Ein Rückblick aus dem Jahre 2000 auf 1887, Galerie für Zetigennössische Kunst, Leipzig.
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2000, Liam Gillick, Okagon/Lukas & Sternberg.
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2000, Five or Six, Sternberg Press, Berlin.
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2002, Literally No Place, Book Works, London.
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2002, The Wood Way , Whitechapel Gallery, London.
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2004, Underground (Fragments of Future Histories), Import (mfc-michèle didier & les presses du réel), Brussels.
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2005, McNamara Motel, CAC Malaga.
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2006, Liam Gillick and Lilian Haberer, Factories in the Snow, JRP|Ringier, Zurich.
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2007, Proxemics; Selected Writings
(1988-2006), JRP|Ringier, Zurich.
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2009, All Books, Book Works, London.
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2009, Liam Gillick: Deutscher Pavillion La Biennale Di Venezia, Sternberg Press, Berlin.
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2009, Meaning Liam Gillick, MIT Press, Cambridge.
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2010, One long walk… Two short piers… Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Snoeck Verlag, Koln.
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2010, Pourquoi Travailler? Three Star Books, Paris.
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2011, Liam Gillick and Lawrence Weiner: A Syntax of Dependency, Mousse Publishing, Milan.
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2014, From 199A to 199D, JRP-Ringier/Bard Hessel Museum/Magasin.
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2016, What’s What in a Mirror, Dublin City Gallery
The Hugh Lane.
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2016, Campaign, Museu Serralves, Porto.
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2016, Industry and Intelligence: Contemporary Art Since 1820, Columbia University Press , New York.
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2017, Workplace Aesthetics, CAC, Vilnius.
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2018, There Should be Fresh Springs, Gallery Baton, Seoul.
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2019, Schreibtischuhr , Meyer Kainer, Vienna.
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2019, Half a Complex, Hatje Cantz, Berlin.
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2020, Standing On Top of a Building, Madre Museum, Naples.
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2021, Between Fable and Parable, Ora et Lege
Broumov Monastery, 2021
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2021, Like a Moth to a Flame, OGR / Fondazione Sandretto Re Rebaudengo / Corraini Edizioni, Torino.
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2021, The Work Life Effect, Gwangju Museum of Art.
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2022, Farbe ist Programm, Bundeskunsthalle, Bonn.
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2022, ‘A Max De Vos’, Bozar, Brussels.
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2023, Liam Gillick, Filtered Time, Pergamon Museum, Staatliche Museen zu Berlin.
1995, Erasmus is Late, Book Works, London. 
