1995, Erasmus is Late, Book Works, London.

1995, Ibuka!, Kunstlerhaus Stuttgart.

1997, McNamara Papers, Le Consortium, Dijon & Kunstverein in Hamburg.

1998, Discussion Island/Big Conference Centre, Kunstverein Ludwigsburg, Orchard Gallery, Derry.

1998, Ein Rückblick aus dem Jahre 2000 auf 1887, Galerie für Zetigennössische Kunst, Leipzig.

2000, Liam Gillick, Okagon/Lukas & Sternberg.

2000, Five or Six, Sternberg Press, Berlin.

2002, Literally No Place, Book Works, London.

2002, The Wood Way , Whitechapel Gallery, London.

2004, Underground (Fragments of Future Histories), Import (mfc-michèle didier & les presses du réel), Brussels.

2006, Liam Gillick and Lilian Haberer, Factories in the Snow, JRP|Ringier, Zurich.

2007, Proxemics; Selected Writings
(1988-2006), JRP|Ringier, Zurich.

2009, All Books, Book Works, London.

2009, Liam Gillick 2009: Deutscher Pavillion La Biennale Di Venezia, Sternberg Press, Berlin.

2009, Meaning Liam Gillick, MIT Press, Cambridge.

2010
One long walk… Two short piers… Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Snoeck Verlag, Koln.

2010, Pourquoi Travailler? Three Star Books, Paris.

2011, Liam Gillick and Lawrence Weiner: A Syntax of Dependency, Mousse Publishing, Milan.

2014, From 199A to 199D, JRP-Ringier/Bard Hessel Museum/Magasin.

2016, What’s What in a Mirror, Dublin City Gallery The Hugh Lane.

2016, Campaign, Museu Serralves, Porto.

2016, Industry and Intelligence: Contemporary Art Since 1820, Columbia University Press , New York.

2018, There Should be Fresh Springs, Gallery Baton, Seoul.

2019, Schreibtischuhr , Meyer Kainer, Vienna.

2019, Half a Complex, Hatje Cantz, Berlin.

2020, Standing On Top of a Building, Madre Museum, Naples.

2021, Like a Moth to a Flame, OGR / Fondazione Sandretto Re Rebaudengo / Corraini Edizioni, Torino.

2021, The Work Life Effect, Gwangju Museum of Art.

2022, ‘A Max De Vos’, Bozar, Brussels

© Liam Gillick 2023