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LIAM GILLICK

2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2000-2009
 1989-1999
TEXTS BY LIAM GILLICK

SHOULD BE: 
ORGANIZATIONAL PATHWAYS RESTATED.
 WE LIVED AND THOUGHT LIKE PIGS.
THE COMPLETE CURATOR.
THE INCOMPLETE CURATOR.
INDUSTRY AND INTELLIGENCE.
 CONTEMPORARY ART DOES
NOT ACCOUNT FOR THAT
WHICH IS TAKING PLACE.
WHY WORK?
PREVISION.

TEXTS ON LIAM GILLICK

AND WHY WOULD THERE BE A TITLE?
BY NICOLAS BOURRIAUD.
 SOMEWHERE SPECIFIC IN MIND
A CONVERSATION BETWEEN
LIAM GILLICK AND SUZANNE COTTER.
THE WORK LIFE EFFECT:
A SMALL EXTRACT FROM
AN ENDLESS EXCHANGE
LIAM GILLICK AND HANS ULRICH OBRIST.
BIOGRAPHY
TIMELINE   
BOOKS   
FILM   
LINKS


2017

The Lights are no Brighter at the Centre, CAC Vilnius, 2017 The Lights are no Brighter at the Centre, CAC Vilnius, 2017
Graphic Archive 1988 –2018, Esther Schipper, Berlin, 2017 Graphic Archive 1988 –2018, Esther Schipper, Berlin, 2017 Graphic Archive 1988 –2018, Esther Schipper, Berlin, 2017 Schreibtischuhr, Galerie Meyer Kainer, Vienna, 2017. Curated by John Rajchman. Artists selected by Liam Gillick Noah Barker, Loretta Fahrenholz, Liam Gillick, Louise Lawler, Ahmet Öğüt, Philippe Parreno, Seth Price, John Rajchman, Cameron Rowland, Lawrence Weiner, Heimo Zobernig Extended Soundtrack for a Lost Production Line: Ton und Film, Galerie Eva Presenhuber, Zurich, 2017 Extended Soundtrack for a Lost Production Line: Ton und Film, Galerie Eva Presenhuber, Zurich, 2017 All on the Same Side of the Barricade, 2017. HKW Berlin. Distinct Elevation, 2017 Rescinded Platform, 2015 Unit of Completion, 2017 Shattered Development, 2017 Shattered Development, 2017 Directed Discussion, 2017 Distinct Trajectory, 2013 Fixed Rated, 2017 Latent Development, 2017 Vented Discussion, 2016 Leaked Projection, 2017 Vented Development, 2017 Vented Expansion, 2017 Intermediate Elevation, 2017 Determined Regression, 2017 Determined Expansion, 2017 Vented Incision, 2017 Vented Division, 2017 Railed Regression, 2017 Folded Discussion, 2012 Unit of Collapse, 2017 Unit of Restriction, 2017








© Liam Gillick 2023