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LIAM GILLICK

BIOGRAPHY

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2000-2009
 1987-1999

TEXTS BY LIAM GILLICK

WHAT DO YOU REPRESENT?
ART AND PROTEST: REVERSE ICONOCLASM
MOUNTAINS? WHAT MOUNTAINS?
SOME REFLECTIONS ON ART
AND PHILOSOPHY
SHOULD BE: ORGANIZATIONAL
PATHWAYS RESTATED.
 WE LIVED AND THOUGHT LIKE PIGS.
THE COMPLETE CURATOR.
THE INCOMPLETE CURATOR.
INDUSTRY AND INTELLIGENCE.
 CONTEMPORARY ART DOES
NOT ACCOUNT FOR THAT
WHICH IS TAKING PLACE.
WHY WORK?
PREVISION.

TEXTS ON LIAM GILLICK

AND WHY WOULD THERE BE A TITLE?
BY NICOLAS BOURRIAUD.
 SOMEWHERE SPECIFIC IN MIND
A CONVERSATION BETWEEN
LIAM GILLICK AND SUZANNE COTTER.
THE WORK LIFE EFFECT:
A SMALL EXTRACT FROM
AN ENDLESS EXCHANGE
LIAM GILLICK AND HANS ULRICH OBRIST.
TIMELINE   
BOOKS   
FILM   
LINKS

INTERNAL

1987-1999


Adi Dassler, 1987 Prototype Double Mounted Wall Rail, 1988 Floor Mounted Double White Rail, 1988 Quad Rail, 1988 Single Leaning Corner Rail (White), 1989 84 Diagrams, 1989 Henry Bond and Liam Gillick, Documents, 1990-1993 Henry Bond and Liam Gillick, Documents, 1990-1993 Pinboard Project (Grey), 1992 Pinboard Prototype #2, 1992 For Liam Gillick Contact..., 1992 Instructions, Gio’ Marconi, Milan, 1992 Lost Paradise Information Service (Archive), 1994 Del Charro, 1994 Lost Paradise Information Service (Archive), 1994 Prototype Erasmus Table #2 (Gent), 1994 McNamara, 1994 Surrogate Catalogue, 1994 We Are Medi(evil) (with Angela Bulloch), 1994 Parallel Histories (Wilson), 1994 Parallel Histories (McNamara), 1994 Museum Board (Luzern) #2 (GRSSPR 1990), 1994 Stoppage, 1995 (CCC Tours) Erasmus is Late Complete Prototype Manuscript File, 1995 Liam Gillick and Philippe Parreno, Le Labyrinth Moral/The Moral Maze, 1995 Liam Gillick and Philippe Parreno, Le Labyrinth Moral/The Moral Maze, 1995 Backstage (New York), 1995 Ibuka! (Part 1), 1995 Ibuka! (Part 1), 1995 Prototype Ibuka! Coffee Table/Stage (Act 3), 1995 Prototype Ibuka! Coffee Table/Stage (Act 1), 1995 Ibuka! Announcement #1, 1995 Stoppage, 1995 (Villa Arson, Nice) Ibuka! (Part 2) (Stuttgart), 1995 (The What If? Scenario) Discussion Platform (London), 1996 (The What If? Scenario) Second Stage Discussion Platform and Surface Designs, 1996 Discussion Island Yellow Think Tank, 1996 (The What If? Scenario) Typeface Designs, 1996 Gillian Gillick and Liam Gillick, (The What If? Scenario) Scenario, 1996 Discussion Island Tubular Bells, 1996 Erasmus is Late in Berlin Information Room, 1996 and Erasmus is Late in Berlin Drawing Tables, 1996 (The What If? Scenario) Mirrored Insulation Plates, 1996 Liam Gillick and Gabriel Kuri, Everyday Holiday/La Fete au Quotidien, 1996 Liam Gillick and Gabriel Kuri, Everyday Holiday/La Fete au Quotidien, 1996 WI?S Cantilevered Delay Platform, 1996 Discussion Island: Item A001, 1996 McNamara Papers: Towards a Documentary (Glasgow), 1997 Discussion Island Deficit Discussion Platform, 1997 Discussion Island Dialogue Platform, 1997 Discussion Island Liability Platform #1, 1997 Discussion Island Moderation Platform, 1997 Discussion Island Resignation Platform, 1997 Dr. Robert Buttimore, 1997 Discussion Island Dialogue Platform, 1997 Discussion Island Decision Platform, 1997 Discussion Island Border Think-Tank, 1997 Discussion Island: Assessment Think Tank, 1997 Discussion Island: Projected Think Tank, 1997 Erasmus Aß Zehn Jahre Opium #2, 1997 Discussion Island Big Conference Screen, 1997 Sarah Morris and Liam Gillick, The Horse Sucked My Hand, 1997 Discussion Island Retribution Rig, 1997 McNamara Motel (neon), 1997 Big Conference Centre Limitation Screen, 1998 Just Out of Time, 1998 Big Negotiation Screen, 1998 Post Conference Platform, 1998 Cold Rolled Tank Traps (1969), 1998 Discussion Island Prototype Item B002, 1998 Big Conference Centre Focal Point, 1998 Big Conference Platform Platform, 1998 So were people this dumb before television, 1998 Post Conference Centre Exit Platform, 1998 Odradek Wall, 1998 “Liam Gillick”, c/o Atle Gerhardsen, Oslo, 1998 Liam Gillick and Philippe Parreno, The Trial of Pol Pot, 1998 Liam Gillick and Philippe Parreno, The Trial of Pol Pot, 1998 Liam Gillick and Philippe Parreno, The Trial of Pol Pot, 1998 William H. Danforth (When purity was paramount), 1998 Big Conference Centre Legislation Screen, 1998 Inside now, we walked into a room with coca-cola coloured walls, 1998 Post Discussion Revision Zone #1 - #4 Big Conference Centre 22nd Floor Wall Design, 1998 Post Discussion Revision Zone #1 - #4 Big Conference Centre 22nd Floor Wall Design, 1998 Reversal Platform, 1998 Discussion Island Resignation Screen, 1998 Regulation Screen, 1998 Poll! Hear Them!, 1998 Regulation Screen, 1998 Liaison Screen, 1998 Liam Gillick, Rudiger Schottle, Munich, 1998 Layered Impasse Screen, 1998 Layered Impasse Screen, 1998 Layered Impasse Screen, 1998 The continuing sequence of events must have started and then spun off from this place. Seven-Up coloured curtains?, 1998 Elevation Screen, 1999 Schmerz in einem Gebäude/Pain in a building/Doleur dans un immeuble, 1999 64th Floor Lobby Diagram, 1999 Foyer Table, 1999 David (Provisional Backdrop Title Projection), 1999 David (Temporary location rig), 1999 David (He doesn’t turn to see her), 1999 David (Prototype sound system), 1999 Applied Resignation Platform, 1999 Isolation Platform, 1999 Prototype Design for Conference Room (with joke by Matthew Modine arranged by Markus Weisbeck), 1999 David (soundtracks), 1999 “David”, Frankfurter Kunstverein, September 1999 Liam Gillick, Kunsthaus Glarus, 1999 Delay Screen, 1999 Liam Gillick and Matthew Brannon, Ein Rückblick aus dem Jahre 2000 - 1887, 1999 Liam Gillick and Matthew Brannon, Ein Rückblick aus dem Jahre 2000 - 1887, 1999 Oldnewtown, Casey Kaplan, New York, 1999 Applied Complex Screen, 1999/2000

© Liam Gillick 2024