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LIAM GILLICK

2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2000-2009
 1989-1999
TEXTS BY LIAM GILLICK

SHOULD BE: 
ORGANIZATIONAL PATHWAYS RESTATED.
 WE LIVED AND THOUGHT LIKE PIGS.
THE COMPLETE CURATOR.
THE INCOMPLETE CURATOR.
INDUSTRY AND INTELLIGENCE.
 CONTEMPORARY ART DOES
NOT ACCOUNT FOR THAT
WHICH IS TAKING PLACE.
WHY WORK?
PREVISION.

TEXTS ON LIAM GILLICK

AND WHY WOULD THERE BE A TITLE?
BY NICOLAS BOURRIAUD.
 SOMEWHERE SPECIFIC IN MIND
A CONVERSATION BETWEEN
LIAM GILLICK AND SUZANNE COTTER.
THE WORK LIFE EFFECT:
A SMALL EXTRACT FROM
AN ENDLESS EXCHANGE
LIAM GILLICK AND HANS ULRICH OBRIST.
BIOGRAPHY
TIMELINE   
BOOKS   
FILM   
LINKS

INTERNAL

2023


Liam Gillick and Hito Steyerl, However Many Times We Ran The Model The Results Were Pretty Much The Same, 2023, Roddino, Piedmont. Liam Gillick and Hito Steyerl, However Many Times We Ran The Model The Results Were Pretty Much The Same, 2023, Roddino, Piedmont. Liam Gillick and Hito Steyerl, However Many Times We Ran The Model The Results Were Pretty Much The Same, 2023, Roddino, Piedmont. Liam Gillick and Anton Vidokle, A Guiding Light Part 2, 2023, Vilnius Biennial of Performance Art. Liam Gillick, Filtered Time, 2023, Pergamonmuseum, Berlin.

Liam Gillick, Filtered Time, 2023, Pergamonmuseum, Berlin.
Liam Gillick, Filtered Time, 2023, Pergamonmuseum, Berlin.
Liam Gillick, Filtered Time, 2023, Pergamonmuseum, Berlin. Where is the Goethestrasse? Taro Nasu, Tokyo Mountains? What Mountains? Meyer Kainer, Vienna. Three Borrowed Gray Rotations, 2021, Mountains? What Mountains? Meyer Kainer, Vienna.

2022


The hopes and dreams of the workers as they wandered home from the bar, 2005, La Pista 500, Pinacoteca Agnelli, November 2022 The hopes and dreams of the workers as they wandered home from the bar, 2005, La Pista 500, Pinacoteca Agnelli, November 2022 A Variability Quantifier, 2022, National Gallery of Canada, Fogo Island Arts, World Weather Network A Variability Quantifier, 2022, National Gallery of Canada, Fogo Island Arts, World Weather Network A Variability Quantifier, 2022, National Gallery of Canada, Fogo Island Arts, World Weather Network Leveraged Complex, 2022 Channelled Division, 2022 Channelled Contrition, 2022


Farbe ist Programm, Bundeskunsthalle, Bonn, 2022. Farbe ist Programm, Bundeskunsthalle, Bonn, 2022. Start des Farbfernsehens auf der Funkausstellung 1967 in Berlin 25.8.1967 © picture-alliance/dpa/WilliGutberlet

Stinking Dawn, Gelatin, Liam Gillick, 2022, Film, 92 min

Stinking Dawn, Gelatin, Liam Gillick, 2022, Film, 92 min


Stinking Dawn, Gelatin, Liam Gillick, 2022, Film, 92 min


Stinking Dawn, Gelatin, Liam Gillick, 2022, Film, 92 min

2021
 

The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul

The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul
The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul

Oriented Discussion Platforms, 2021, Luma Foundation, Arles Oriented Discussion Platforms, 2021, Luma Foundation, Arles Oriented Discussion Platforms, 2021, Luma Foundation, Arles Oriented Discussion Platforms, 2021, Luma Foundation, Arles Laguna Gloria, 2021, Luma Foundation, Arles Laguna Gloria, 2021, Luma Foundation, Arles Luma Arles Signage System, 2021, Luma Foundation, Arles Luma Arles Signage System, 2021, Luma Foundation, Arles Three Borrowed Gray Rotations, 2021, Ora et Legere (Pray and Read), Broumov Monastery, 2021 Kinetic Energy of Rigid Bodies, 2020, Replace Rubens, Sankt Peter, Köln, 2021 Object Related Mapping, 2021, Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Gwangju Kiosk of the Mind, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Gwangju Kiosk of the Mind, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Happiness Predictions from Striatal Activity, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 The Work Life Effect Structure A, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 The Work Life Effect Structure A, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

The Work Life Effect Structure A, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

The Work Life Effect, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
Rewards and Expectations, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
Dissociated Expectation Effects, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
Factories in the Snow, 2007. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Factories in the Snow, 2007. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

2020

It should feel like unicorns are about to appear a.k.a. Half Awake Half Asleep, Alfonso Artiaco, Naples, 2020

Horseness is the Whatness of All Horse, Taro Nasu, Tokyo, 2020 Horseness is the Whatness of All Horse, Taro Nasu, Tokyo, 2020 Redaction, Casey Kaplan, New York, 2020 Redaction, Casey Kaplan, New York, 2020

© Liam Gillick 2023