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LIAM GILLICK

2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2000-2009
 1989-1999
TEXTS BY LIAM GILLICK

SHOULD BE: 
ORGANIZATIONAL PATHWAYS RESTATED.
 WE LIVED AND THOUGHT LIKE PIGS.
THE COMPLETE CURATOR.
THE INCOMPLETE CURATOR.
INDUSTRY AND INTELLIGENCE.
 CONTEMPORARY ART DOES
NOT ACCOUNT FOR THAT
WHICH IS TAKING PLACE.
WHY WORK?
PREVISION.

TEXTS ON LIAM GILLICK

AND WHY WOULD THERE BE A TITLE?
BY NICOLAS BOURRIAUD.
 SOMEWHERE SPECIFIC IN MIND
A CONVERSATION BETWEEN
LIAM GILLICK AND SUZANNE COTTER.
THE WORK LIFE EFFECT:
A SMALL EXTRACT FROM
AN ENDLESS EXCHANGE
LIAM GILLICK AND HANS ULRICH OBRIST.
BIOGRAPHY
TIMELINE   
BOOKS   
FILM   
LINKS

2021
 

The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul

The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul
The Knot of Which I Speak Cannot be Knotted, Installation view, 2021, Gallery Baton, Seoul

Oriented Discussion Platforms, 2021, Luma Foundation, Arles Oriented Discussion Platforms, 2021, Luma Foundation, Arles Oriented Discussion Platforms, 2021, Luma Foundation, Arles Oriented Discussion Platforms, 2021, Luma Foundation, Arles Laguna Gloria, 2021, Luma Foundation, Arles Laguna Gloria, 2021, Luma Foundation, Arles Luma Arles Signage System, 2021, Luma Foundation, Arles Luma Arles Signage System, 2021, Luma Foundation, Arles Three Borrowed Gray Rotations, 2021, Ora et Legere (Pray and Read), Broumov Monastery, 2021 Kinetic Energy of Rigid Bodies, 2020, Replace Rubens, Sankt Peter, Köln, 2021 Object Related Mapping, 2021, Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Moderation Toolbox, 2021, Gwangju Stool, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Gwangju Kiosk of the Mind, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Gwangju Kiosk of the Mind, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Happiness Predictions from Striatal Activity, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 The Work Life Effect Structure A, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 The Work Life Effect Structure A, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

The Work Life Effect Structure A, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

The Work Life Effect, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
Rewards and Expectations, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
Dissociated Expectation Effects, 2021. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021
Factories in the Snow, 2007. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021 Factories in the Snow, 2007. The Work Life Effect, Gwangju Museum of Art, Gwangju, Korea, 2021

2020

It should feel like unicorns are about to appear a.k.a. Half Awake Half Asleep, Alfonso Artiaco, Naples, 2020

Horseness is the Whatness of All Horse, Taro Nasu, Tokyo, 2020 Horseness is the Whatness of All Horse, Taro Nasu, Tokyo, 2020 Redaction, Casey Kaplan, New York, 2020 Redaction, Casey Kaplan, New York, 2020


2019

Standing on Top of a Building: Films 2008-2019 Madre Museum, Naples, 2019
Folded Extracted Personified, 2019, MIA Park, Doha, Qatar New Order + Liam Gillick, ∑(No,12k,Lg,17Mif) So it goes... Mute Records, 2019 Gelatin and Liam Gillick Stinking Dawn, Kunsthalle Wien, 2019 Mercantile Empiricism, 2019 The Night of Red and Gold, Maureen Paley, London


2018

A Depicted Horse is not a Critique of a Horse, Kerlin Gallery, Dublin, 2019 Liam Gillick Adam Pendleton Adam Pendleton Liam Gillick, Eva Presenhuber, New York, 2018 Triangulated Passage Work, 2018, Olympic Tower, New York There Should Be Fresh Springs, Gallery Baton, Seoul, Korea, 2018

© Liam Gillick 2021